15/07/2010 by James.

I went on my first visit to the College Lake Nature Reserve last week. Its a Berks, Bucks and Oxfordshire Wildlife Trust (BBOWT) reserve, near Tring in Buckinghamshire.

Its a beautiful and surprisingly large site, and I’ve driven past the half-hidden entrance many times on my way to visit family in Hertfordshire. There’s a large lake with small areas of woodland and chalk grassland, and a wealth of bird and animal life including breeding polecats, sand-martins, barn owls etc.

I’ve been commissioned by Outdoor Culture to create an installation in one of the bird hides, together with artists Martin Prothero and Linda Cornwell, responding to the site and its wildlife.

I’ll also be working with Ashmead Combined School in Aylesbury, to support reception age children to explore the reserve and their own grounds in creative ways.

The bulk of the work will be taking place from September, but I don’t want to wait to go back until then, so will be making a return visit soon to spend some time watching and recording the insect and bird-life, and finding out more about the site’s history as a chalk quarry.

The ideas are certainly bubbling up already, its a great opportunity to explore how man-made landscape features can be developed for wildlife, and how the arts can be used to support people’s developing environmental awareness. I’ll be back soon with more information, images and artwork as things develop…

In the meantime, for more information on Outdoor Culture just follow this link…

www.outdoorculture.com

And to read more about the Trust and College Lake see

www.bbowt.org.uk/content.asp?did=23523

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30/06/2010 by James.

Next week there’s an exhibition at The Stanley Picker Gallery, Kingston University, set up by the three settings involved in 5×5x5=creativity, in our new research cluster in Kingston Upon Thames.

The exhibition will include photographic and written documentation, together with artworks, to share the learning journeys of the children involved in the research, and of the artists, teachers and cultural organisations working alongside them.

Please follow the link below for more information, and see the Stanley Picker Gallery website for directions.

5×5×5_spg_exhibposter.pdf

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25/06/2010 by James.

Another busy and rewarding week, and the last two days of my work with Churchfields Infant School in Redbridge, through Creative Partnerships.

We had our celebration day yesterday, with parents and governors coming in to hear more about the project, see documentation and artwork, and to get hands-on, trying out some of the activities developed with the children during the life of the project. This included a group of parents constructing a shelter, designed through mark-making and modeling by their reception age children, which will continue to evolve as the children themselves add onto it.

It was brilliant to hear how individual children had been continuing their investigations at home, exploring their own gardens, reflecting on the buildings and structures around them to discuss what makes a shelter a shelter, noticing the shapes and patterns on every day things such as leaves and feathers found on the floor, and bringing parents to the documentation panels and structures placed around the school to share their learning.

Its been a really interesting journey for me. We started out with an aim of supporting the children’s voices to be heard, and of using the local outdoor environment in creative ways, with the possibility of generating ideas for enriching the school’s own grounds.

My last session with the Year 2 class ended with us looking back through hand made journals of drawings, photos, rubbings and gathered found objects, reflecting on what we had learned over the last few months, and where we had been.

We then asked these children to think about what might come next, how could their explorations and their learning continue beyond the life of the project?

Their responses were rich, detailed and inspiring, with maps and plans showing networks of enclosed den-like spaces reaching out across the school grounds, connecting the play areas of the different year groups and providing new spaces for talking, playing, reading, and for wildlife.

 It reminded me of the work I’ve also been doing with/for English Heritage, giving local children and young people an opportunity to develop designs for the interior of the education space, and for ways of sharing the importance of the environmentally sustainable features planned for the visitor centre, through engaging and accessible interpretation.

Of course the future of the centre looks in doubt now as one of the many spending cuts, but the opportunity to be listened to, to have your ideas and vision for the future documented, taken seriously and (hopefully) acted upon, is such an important experience. Whatever happens with the centre, and in the school grounds at Churchfields, I hope that we have given the children greater confidence in their creative ability to shape the human world to suit their needs, increased empathy and understanding of difference, and a greater awareness of how people can live in an interconnected harmony with their local natural and cultural heritage.

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26/05/2010 by James.

Its that time of year again when the sun starts shining, the world turns green and projects swell up to fill all my time. Not that I’m moaning, after a quiet year last year its great to be busy again and brilliant to be meeting and learning from a real range of people and places.

Since I last wrote I’ve been continuing to travel up to NE London and work in partnership with Churchfields Infant School. The Year Two children’s journey through the sessions at school and in Epping Forest led them to want to make a nest inspired woven sculpture in the grounds which continues to evolve according to their developing ideas.The school have also placed new noticeboards within the playground containing documentation from the duration of the project (as well as on the school’s website), so that parents and other visitors can keep track of its progress.

The Reception children at the school were inspired by seeing this structure and worked with myself and a teacher to create/define their own space outside using canes, lengths of fabric, string and tape. It was wonderful to see them so engaged for so long. The conversations and the role play around the growing structure was so rich, with writing and mark-making onto flags and signs decorating the outer walls, stars taped to the floor and a telescope built into the walls, amongst lots of other things.

I’ve also been continuing to visit the 5 settings of the Kingston Upon Thames 5×5x5=creativity cluster, with the artists working in partnership with Nursery and Reception classes in schools and children centres.

Its been fascinating to get a glimpse of how groups of children, and the artists and educators working alongside them, have grown in confidence in expressing their ideas, exploring inner and outer spaces through a range of resources chosen to suit their needs and interests. An emphasis has been placed by the majority of settings, on researching how creative ways can be used to support children to access the outdoors and to build relationships, and on the days I’ve visited there have been clear links between settings in the way that children have used string and tape to create webs or traps - winding, wrapping and tying the features of the landscape and each other together.

Its something that keeps coming up for me recently, this connecting of people and places, both physically through children and young people’s play and investigations of the world around them, and socially as bonds are created and new relationships negotiated.

Recently I worked for The Salisbury Festival, the BTCV and Wiltshire Young Carers at Harnham Water Meadows near Salisbury. Here, on the Unearthing Stories project, a storyteller Jamie Crawford worked with the young people to tell and develop stories linked with the landscape and their own life experiences, they had a chance to carry out practical conservation work, and I introduced them to ways of working with willow, creating sculptures whose form and structure was drawn from the wildlife and features of the meadows - the pollarded willows, the nesting swans and the insects that fly and live along the rivers and ditches.

This last week I also worked at an Earlyarts Professional Development Day hosted by 5×5x5=creativity in Bath. The day was centred around the use of Intelligent Materials - open-ended recycled or natural materials that offer no prescribed use for the children (or adults) that play and make with them, so supporting the children to follow their own ideas. This time I shared my own approach to using found, natural materials, and offered the artists, educators, researchers and play-workers a chance to explore branches, leaves, bark and fir-cones together with raffia, wool and string.

And somewhere in between all this I have been making time for myself to enjoy the green lushness that Spring brings to my part of the world - watching foxes from up on the downs, tracking down a long barrow amongst the sweet honey scented bluebells of West Woods, and keeping an eye out for the pair of Red Kites that seem to have taken up residence somewhere near by.

From now on, although busy, things calm down a little and I can think again about how all this can inform my more individual work. I have been working on adapting an old jacket of mine with finds and marks, and have various other bits and pieces on the go, gathering, exploring and finding ways of connecting all those treasured finds and experiences together.

( A quick reminder, if you’re interested in creativity and learning, the Making Waves conference at Bath Spa Uni on 18th June should be an inspiring day. For more info download a programme from the 5×5x5=creativity website events page)

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12/04/2010 by James.

I ran a really enjoyable couple of professional development days over the Easter Holidays, for the learning and outreach team at Salisbury Museum, exploring participant-led, creative approaches to learning in a Museum context.

The sessions explored the relevance of creative learning for foundation stage children, before looking at examples of creative child-led learning in practice, through projects I’ve run with museums in the past, and the work I’ve carried out with 5×5x5=creativity, schools and pre-schools.

We looked at the relationship between the parent and child, how we can support parents to develop confidence in their own creativity, and how a lack of confidence in some parents can impact on their children.

Amongst all the interesting discussion and theory we also made plenty of room for hands-on sessions, which enabled the group to put themselves in the shoes of the participants, exploring the museum and documenting their experiences and each other in creative ways.

Now that things have quietened down again, and before they get busy again in the summer term, I’m taking some time to be in the studio and to get out exploring and collecting. I’m looking at how the smaller object-based pieces that I create can be displayed/grouped/collected together in gallery or domestic or outdoor environments, and how collections such as these may be read by a viewer.

I’m also continuing to make photographic pieces which gather together found imagery and objects, and exploring ways of exhibiting these as single prints, books or online, and have included a few of those here.

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26/03/2010 by James.

I’ve been working with Churchfields Infant School in Redbridge, NE London again this week, walking up from the school to their local patch of Epping Forest, with Reception children on Tuesday and Year 2 children on Wednesday.

Its the second of five monthly visits to the school between now and the end of June June, set up with A New Direction as part of the creative partnerships initiative.

The school are keen that different aged children learn from and interact with each other, that children’s voices are heard and acted upon, and that we use creative ways to explore and interpret the local outdoor space.

After using clay and making sketchbooks to document the children’s own school grounds in our last sessions, we decided to venture out beyond the school and suggested a range of ways to make marks and structures with the materials that the forest could provide.

The reception children were excited by the sensory experience of simply walking, and sometimes wading, through mud, finding ‘houses’ within the low tree canopy and climbing fallen trees, or feeling the wet soil on their hands and fingers before using it to make tracks and marks onto paper.

With the year 2 children we gathered natural materials and rubbish from the woodland and created arrangements and sculptures, following the children’s own ideas and interests, with the resulting artwork ranging from totems and pirate ships to a mother with child, and a floating world built inside a puddle.

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17/03/2010 by James.

Information taken from the 5×5x5=creativity newsletter, sign up or read more on 5×5 at www.5×5x5creativity.org.uk

Creativity Conference - 18 June 2010 Bath Spa University: Making Waves

This year’s conference will offer opportunities to reflect upon and commit to shaping the future direction of learning and teaching that meets the needs of young people’s creativity.

Keynote speakers will address topics including creative values, transformation and the nature of creativity and include: Pat Chapman, Director of Schools, Creativity, Culture and Education (CCE), Shan Maclellan, Director of Learning at the Southbank Centre, London, Professor Anna Craft, Exeter University and Professor Iram Siraj-Blatchford, Institute of Education.

For details please contact Julia Butler: Julia@5×5x5creativity.org.uk

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25/02/2010 by James.

I was working with Churchfields Infant School in Redbridge, NE London, on Monday and Tuesday this week, as the first of 5 two-day blocks of sessions there on a Creative Partnerships project.

The focus on the project is to allow the children’s voices to be heard through a creative and child-led way of working, and to make the most that the local outdoor environment has to offer.

I am working with Reception and Year 2 children and their teaching staff on this project, and this week made books with the year 2 children, to record their experiences of the project using  drawing/painting/rubbings and found objects.

With the staff I led an Inset session exploring creativity and child-led learning, and a hands-on session similar to the reception children’s; using clay as a base for marks, shapes, patterns and constructions, from materials found around the school grounds.

Next month we’re going to be walking up into Epping Forest to explore, play and create. We’ve asked the children what they think we should do in the Forest, and the teaching staff are going to keep me updated with what happens between now and then, so that the ‘brief’ that we give the children can be as responsive as possible to their continuing individual learning journeys.

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12/02/2010 by James.

Here are a few photos from a project that I ran this week at Warneford Secondary School in Highworth.

I talked to the whole year 9 group in an assembly about the role of art in exploring identity, and in defining and sharing a sense of your own identity with others. Then I worked with 15 of the young people to develop ideas for artworks which gathered together images, shapes and ideas from their own lives, like a kind of creative identity puzzle.

Their teachers and I wanted to give them a chance to come up with their own ideas around who they are and what they are passionate about - to experience how art can support you to be in control of your image and identity, be more reflective on who you are as a person and then start to think about what you might like to achieve in the future.

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10/02/2010 by James.

Please share the following information with any 14 to 19 yr olds you know of in the Stonehenge/Salisbury/surrounding areas, who may be interested in this exciting opportunity to advise English Heritage on the development of the new Visitor Centre and learning/outreach programmes.

Thank you!

STONEHENGE YOUNG PEOPLE’S PANEL

WHAT?

English Heritage at Stonehenge needs the options of young people to decide how to make their new Visitor Centre an interesting and fun place to visit in the future.

WHO?

Young people from 14-19 years old, who are interested in design, archaeology, or the environment, in sharing their opinions and having something different on their CV.

HOW?

We want to hold on Open Meeting, and four Young People’s Panel sessions, based at Salisbury Museum, with visits to Stonehenge and other local venues.

Open Meeting:

The open meeting will give you a chance to see artists’ impressions of the new Visitor Centre, handle artefacts, explore the Museum and give ideas on what needs to happen next. If you decide to become part of the panel you can sign up for that here too.

Panel Sessions:

At each session there will be a different theme and content – such as meeting the architects, designing interactive exhibits, and exploring how we can make facilities more environmentally sustainable.

The Young People’s Panel is free. Local transport costs will be paid and refreshments will be provided for all of the four panel sessions.

WHEN?

Open Meeting:

Saturday 13^th February at Salisbury & South Wiltshire Museum, Cathedral Close, Salisbury, 10.30am to 12.30pm (just turn up, no need to book).

Panel Sessions:

Saturday 27^th February, 20^th March, 17^th April, 8^th May at Salisbury & South Wiltshire Museum, 10.15am to 12.45pm (sign up for your place at the Open Meeting).

It is hoped that the panel sessions will continue after this initial project.

For more information please contact James Aldridge:

Email: info@creative-ecology.co.uk Telephone: 07931 407 186

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